Monday, 23 November 2015
Monday, 9 November 2015
Friday, 6 November 2015
The Crazies - A Film Analysis
The Crazies (2010) – Film Analysis

The film
received positive reviews at the box office, making an estimated $50 million by
May 2010. It was praised for its uncommon intelligence and intensity, receiving
a Rotten Tomatoes’ 6.4/10 rating. The film’s target audience would simply be,
those who enjoy horror, however, as it focuses on a zombie/outbreak subgenre,
it could focus on a younger, perhaps, teenage audience, despite it not
primarily focusing on a teenage subgenre. This potential teenage audience, in
the UK at least, could be challenged, due to the BBFC giving it an 18 rating,
due to it’s graphic and sexual scenes.
Each
horror film has it’s own style and codes and conventions, however their
narrative structure can easily be compared. Bulgarian structuralist Tzvetan
Todorov came up with the idea of a narrative shared amongst most American
films. In where we start with an equilibrium, a state of normality, until an
event disrupts this equilibrium. The knock-on effect of this event causes a
chain of events to resolve the disequilibrium, known as the path to resolution.
The solution (in most cases) is eventually found and there will become a new
equilibrium, albeit different from the initial equilibrium, it’s still hold
trademarks of a happy ending. This structural narrative, was labelled The
Classic Hollywood Narrative/Structure (CHN).
Often,
most films abide by the CHN, either consciously or subconsciously, however, in
this case, The Crazies narrative structure is even harder to define. It
contains elements of a Hollywood Narrative, however the beginning scene
indicates that this is not in fact a typical Todorov narrative structure. The
first scene we see of the film is houses burning, in the midst of a destroyed Ogden
Marsh, however this scene, as we later find out, is set about 2/3 of the way
into the film. We aren’t aware of the cause of this fire, with the text
displayed 2 day earlier, we are transported back in time, to where the
narrative begins. Although, this “2 day earlier” scene may seem the start of
the narrative, we again later find out, in the whole frame of the narrative,
it’s about a quarter of the way into the narrative. With the plane crash, being
the initial start to the story, although it’s not seen on screen. Essentially,
the film begins with the baseball game, and ending with David and Judy moving
to Cedar Rapids, however, the actual narrative of the film, starts with the
plane crash, ending with the escape. The time span of the film is approximately
100 minutes, the story or narrative is about 3 weeks long, although we only see
3 days of this story. So initially, The Crazies doesn’t follow the CHN, however
if you alter some scenes of the film, it can apply to the CHN. If it didn’t
start with the fire burning, and instead starting with the day of the baseball
game. The initial equilibrium would be the baseball game, the disruption being
the first infected Rory Hamill displaying abnormal behaviour whilst holding a
shotgun, the path to resolution is to escape, with more and more neighbours
being infected, the new equilibrium would be David and Judy going on Cedar
Rapids to resume to normal, only for the effect of dramatic irony to be deployed,
and for this outbreak to continue in Cedar Rapids. This manipulating of the CHN
is what earned The Crazies it’s positive rating, although, not abiding by the
CHN, can be risky, with a disjointed narrative. Overall, The Crazies don’t
exactly abide by the CHN, however there are some elements linking to a
Hollywood Narrative.
An
important aspect to any film is the characters, and how their ideologies and
actions can impact upon the audience. Some characters might be used to display
a particular message, whereas as some may be used for the audience’s pleasure,
linking to the Male Gaze theory. One theorist devised 8 character types, in
relation to old Russian folk tales, Vladimir Propp.
In
relation to Propp’s character roles, the Hero in The Crazies, is obvious the Sheriff,
David. Even the role of the town’s Sheriff, shows that he has great
responsibility in protecting the town. Of course, he survives, whilst
protecting his wife along the way. His wife, Judy, therefore, is the princess.
She needs help and loving assistance by David, especially as she is pregnant,
this loving family bond, is perhaps the dominant set ideology, and thus why
they survive. The villain in this circumstance isn’t clear, there is no clear
evil. In comparison to Halloween (1978), they have a set evil, villain in
Michael Myers, yet in The Crazies, there is no individual evil. Instead, the
government could be blamed, due to their failed incubation period and
mistreatment of townspeople. They are to blame for the cover up of the plane
crash, and perhaps is the reason why the Trixie virus spread so quickly. The
military can also be perceived as a villain, with them shooting an innocent boy
and his mother, and then incinerating them. A third potential reason is the
“zombies” themselves and their mentality to kill. Despite this being
unintentional and the virus possessing them to do so, they are still evil in
the sense of un-humane features and the killing of their neighbours. The donor
character role is occupied the Deputy Sheriff, Russell Clark, who save the
Sheriff’s life “3 times”, before his minor turn against the sheriff, only for
him to sacrifice himself, for the greater good of dignity.
Claude
Levi-Strauss looked at narrative structure in terms of binary opposition. The
oppositions are sets of opposite values which reveal the structure of media
texts. In the context of the Crazies, there a several, clearly defined binary
opposition. One of the being the opposition of Sanity v Insanity. The sanity here,
is the survivors, the un-infected, of whom have a slight awareness and consciousness
about the virus outbreak. Insanity, is
those infected by the virus, their minds are possessed and programmed to kill.
A clear example of insanity is when the local farmer is in his jail cell, and
have several out-of-body spasms, indicating that this Trixie virus is taking
over the citizens of Ogden Marsh. Another binary opposite is Alive v Dead, with
the hero’s surviving, and the other side characters and citizens of Ogden
Marsh, being dead. Although, some of them aren’t physically dead, they are dead
in the sense of their personality and identity being wiped, and becoming
infected with a worrying disease.
Each film
has set durations, in terms of screen time, plot time and the story time. These
ideas of duration where brought to fruition by theorist Bordwell and Thompson
upon their work on cause and effect. In The Crazies, the screen duration is 100
minutes that of which is the time the film runs for, the plot duration is about
3 days, the film covers 3 days’ worth of action. Whereas,, the story duration
is much longer, and extends for about 3 weeks. The 33 days shown for the plot
duration is located near the end of the story timeline, with previous events
not shown on film, having an impact on the situation which we see. The plane
crash spilling chemical residue is an example of an event that took place
before the film. This plane crash was an accident by the government, which was
transporting a dangerous chemical. The crash was unfortunate, having a knock-on
effect to the citizens of Ogden Marsh. The crash spilled this chemical
throughout the town and landed in a nearby marsh/swamp. The chemical seeped
into the water, contaminating it. Another event that took place before the
film, which ultimately effected the plot duration, was the citizens drinking
the contaminated water. The first of those being the person closest to the
water supply, being the first to be contaminated. This is then where the plot
begins, with Rory invading the baseball pitch, with his unresponsive behaviour
with a shotgun, prompting the sheriff to shoot him. The consumption of the
water spreads to more and more citizens, resulting in the government
intervention of a 48 hour incubation period.
The
Crazies representation of women is fairly limited due to the lack of female
characters in the film. The Sheriff’s wife is quite masculine and is in fact
the final girl of the film. She isn’t portrayed in a sexualised manner due to
the fact she is pregnant. This love and strong connection between the Sheriff
and his wife reflects the dominant ideology of an ideal lifestyle or The
American Dream. A committed marriage with children is this idea of the dream,
and is sought after by many. This is opposed to promiscuous women, who aren’t
in a relationship and who are of teenage teats, who are often frowned upon, and
can have a link to death. Becca is killed, and was displayed in a fairly
provocative manner, linking to Laura Mulvey’s Male Gaze Theory.
In
conclusion, The Crazies is a film that goes against the CHN, however, maintains
many of the typical code and conventions of a modern day horror film. The film
explores several different durations and how they all impact upon the audience.
Subscribe to:
Comments (Atom)